近日，由園冶杯國際競賽組委會主辦，中國風(fēng)景園林網(wǎng)與《世界園林》雜志社承辦的國際競賽——“2021園冶杯”專業(yè)獎評選結(jié)果正式揭曉。
大家房產(chǎn)位于寧波的大家·上宸宸光美學(xué)館，經(jīng)過多輪嚴(yán)格評審篩選，榮獲第十二屆園冶杯專業(yè)獎地產(chǎn)園林示范區(qū)類金獎。
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THE WIND OF NATURE BLOWS GENTLY
ARE SCATTERED UNDER THE BIG TREE
SILENT WARTH SILENCE AND JOY
It is both an ideal and a return to the Museum of Light
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著名的空間詩人路易斯·巴拉甘曾說：“我總是試圖創(chuàng)造一種內(nèi)在的寂靜，在一座美麗的藝術(shù)館中，神圣的自然無處不在。“藝術(shù)蘊(yùn)藏著神秘的力量，它集合了經(jīng)濟(jì)發(fā)展、人類審美，不同時代誕生不同的藝術(shù)形態(tài)，本案宸光美學(xué)館承載著關(guān)于城市、地脈的文化藝術(shù)性。
The famous space poet Louis Barragan once said: "I always try to create an inner silence. In a beautiful art museum, sacred nature is everywhere. "Art contains mysterious power, and it gathers together. Economic development, human aesthetics, and different art forms are born in different eras. The Chenguang Aesthetic Museum of this case carries the cultural and artistic quality of the city and the ground
項(xiàng)目位于寧波市奉化區(qū)，鄰城市主干道，交通便利，同時靠近滕頭生態(tài)旅游景區(qū)，優(yōu)越的自然環(huán)境為項(xiàng)目提供了絕佳的自然基底，讓所有的藝術(shù)變得真實(shí)可觸，基于時空，慢慢沉淀，漸漸呈現(xiàn)。
The project is located in Fenghua District, It is adjacent to the main roads of the city and has convenient transportation. At the same time, it is close to the Tengtou eco-tourism scenic spot. The superior natural environment is The project provides an excellent natural base, making all art real and tangible, based on time and space, slowly settled and gradually presented
于此我們提取”光影“為設(shè)計(jì)主元素，將光引入、擴(kuò)散，并通過蒙太奇手法切割空間，演繹光在不同場景下的形態(tài)，或明或暗，于立體空間中帶動人的情緒，感受這座光之藝術(shù)美學(xué)館的獨(dú)特意蘊(yùn)。
We extract "light and shadow" as the main design element, introduce and diffuse light, and use montage technique to cut the spatial form, deduce the form of light in different scenes, either bright or dark, in the three-dimensional space to stimulate people's emotions, feel the unique meaning of the Art Museum of Light
以展示區(qū)東南方向?yàn)檎姑?br />
若隱若現(xiàn)地流露出展館的藝術(shù)氣質(zhì)
似是藝術(shù)展覽館對行人發(fā)出的邀請函
Taking the southeast direction of the exhibition area as the exhibition surface, and half-enclosed by the plant space on the outside of the promenade, the upright Metasequoia forest shows its natural style and weakens the noise of the outside world. It outlines the majestic entrance interface and is secluded in the Metasequoia forest. The wall behind is as clean as paper, and the grille on the wall hole faintly reveals the artistic temperament of the exhibition hall, which seems to be an invitation letter issued by the art exhibition hall to pedestrians
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各種光影線條，造就的不再是單調(diào)的光的藝術(shù)
Light is inspired. When natural light shoots down through the wall, various lines of light and shadow create an art that is no longer monotonous light.
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以光影引導(dǎo)游覽者進(jìn)入示范區(qū)
材質(zhì)呼應(yīng)，相互融合，“渾然一體”
The hollow metal grille is used as the wall, blurring the boundary between the inner courtyard and the corridor, and slightly reveals the view of the courtyard. The metal grille and the beige retro round arch are set against each other, and the flowing wall is used as a visual guide, and the tour is guided by light and shadow Visitors enter the demonstration area, and the hanging decorations at the corners, such as colored glaze, project light and shadow to every corner, and the materials echo and merge with each other to "integrate into one."
The semi-open wall top introduces sunlight and natural air. Above the ground, the enthusiasm, cleanliness and warmth of light are reflected. The virtual reality displayed by the light through the grille creates the beauty of Zen in light and shadow, in the interlacing of light and shadow. In the gradual opening and closing changes of the space, the charm of the building also slowly emerges, and the scenery of the courtyard is also fully displayed
The hollow at the top brings unexpected surprises, the sunlight pouring down unscrupulously, as time changes, constantly changing the projection angle, showing different visual effects
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形成建筑周邊以“純凈、藝術(shù)”為主調(diào)的流影水院
Along the corridor, the stone walls flow light, the mirror pond reflects, the corridor frame and the wall surround the quiet water courtyard, forming the Liuying water courtyard with "purity and art" as the main theme around the building.
The still water reflects the green plant and the exhibition hall building, the magic of light gently blurs the boundaries of the ground in the water surface, the space becomes open and free
鏤空的金屬格柵與那一道道米白色復(fù)古圓拱門相互映襯
既有著對現(xiàn)代抽象藝術(shù)的呼應(yīng)
The high-grade gray fa?ade is matched with a large area of LOW-E glass, which is stylish and simple, breaking the shackles of light. The hollow metal grille and the beige retro round arches are set against each other, which not only echoes modern abstract art, but also has traditions. The echoes of the Renaissance, floating light and gold, static shadow jade bi, make people drunk
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Back yard courtyard, as if another world, green open space, so that the body and mind are bathed in the sun warm wood platform, warm and textured
靜坐在光影斑駁的詩意中，溫潤剔透、解構(gòu)光影
The slightly undulating lawn is and the mountain stone, let people like in the natural space, the leaf gap through the light and shadow, is the most dynamic one in the space, sitting quietly in the poetic, warm and clear, deconstructed light and shadow, step by step, light molecules gently and freely floating in the air, left white, sprinkling, poetic and elegant
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這一次，宸光美學(xué)館，將美學(xué)賦予在場，將靈魂留給光影，以光影藝術(shù)折疊時空藝術(shù)，讓生長的綠意觸及心靈的明凈，讓生活于此，聆聽自然的聲音。
This time, the Museum of Light Aesthetics, to human nature to consider the dialogue garden space, thinking about the combination and interaction between man and space, to light and shadow art folding space-time art, so that the growth of green meaning touch the clarity of the mind, let life here, listen to the voice of nature
以精工美學(xué)之作，引領(lǐng)人居藝術(shù)的進(jìn)階。作為“杭派精工”代表，大家房產(chǎn)始終堅(jiān)持“大美為家”的品牌理念，讀懂生活對藝術(shù)和美的追求，在把控產(chǎn)品品質(zhì)的同時，不斷升華建筑美感，糅合城市、人文、自然的關(guān)系，匠筑富有藝術(shù)感的理想人居。